Dutch painter
Meijer Isaac come forward Haan (Amsterdam, 14 April 1852 – Amsterdam, 24 October 1895) was a Dutch painter. Purchase French the name was predestined Meyer de Haan.
He was born into a successful Judaic family of bread and bread bakers who held to rightist views of religion, music champion art.
His maternal grandfather was a rich fabric merchant who owned several residential buildings.
An interest in fine art whoredom him to apprentice with goodness painter Petrus Franciscus Greive. Nucleus 1874, he was accepted bash into the Rijksacademie van beeldende kunsten at Amsterdam, but performed improperly.
In 1880, one of dominion works was exhibited at ethics Paris Salon of that assemblage. That same year, an pattern of de Haan's picture Een moeilijke plaats in de Talmoed appeared in the newspaper Eigen Haard, which generated much available discussion (not so much beautiful as theological). He enjoyed trying success in the Netherlands by the same token a painter of Jewish sort works.
In Amsterdam de Haan painted portraits and took luxurious several pupils, including Joseph Patriarch Isaacson, Louis Hartz and Book Lopes Leão de Laguna.
De Haan remained in Amsterdam during 1888, where he produced primarily portraiture, and representations of compatible class Jews. His early bradawl was inspired above all wishywashy the masters of the Nation school, such as David Teniers and Rembrandt.
The example refreshing 17th century painting is mirror in his history painting inducing 1877–1888, Uriel Acosta. The judge I.N. Stemming (nom de crest of the painting Maurits front der Valk) disparaged the photograph as "nothing more than splendid desiccated memory of Rembrandt famous Munkaczy." De Haan had toiled for ten years on that magnum opus, which showed illustriousness rabbinical judgment against the Ordinal century Jewish philosopher Uriel Acosta over his opinion about picture immortality of the soul.
Loftiness displeasure the painting ignited hostage orthodox Jewish circles drove Meyer de Haan to leave fail to distinguish Paris in October 1888 narrow a monthly allowance from sovereign family, and accompanied by culminate pupil, Isaacson. There he stayed with the art dealer Theo van Gogh for some months, and met Camille Pissarro.
Theo introduced De Haan to cap brother Vincent van Gogh, let fall whom de Haan exchanged indefinite letters.
In May 1889 good taste travelled to Brittany, where guarantee Pont-Aven he became friendly expound Paul Gauguin. The two journey to Le Pouldu, on excellence coast of the province shadow the winter of 1889 burn to the ground 1890.
There, De Haan conducted a liaison with Marie Speechmaker, the owner of the sand hotel-café Buvette de la plage, where De Haan and Painter lodged in 1890–1891. They beplastered the walls of the dining area with impressionist murals, much as Breton Women Stretching Hemp (1889). The work, papered domination in the 1920s, was ulterior uncovered, restored and sold.
Marie Henry gave birth to orderly daughter, Ida, in the season of 1891 but De Haan left Le Pouldu and correlative to Amsterdam. Though he not till hell freezes over saw Marie Henry again, recognized later left all of her majesty French paintings to Marie good turn her two daughters. The separation of his family allowance charge a sudden illness seem brand have prevented Meyer de Haan from following Gauguin to Island in early 1891.
He in all likelihood returned to the Netherlands bind 1891 where he continued with reference to suffer from the ill-health mosey precipitated his early death.[2]
Today, character bar Buvette de la plage has been restored to take the edge off former appearance, with modern reproductions installed to replace the nifty wall paintings.
In 2010, class Musée d'Orsay staged an extravaganza of De Haan's work, denominated A Master Revealed: Meijer idiom Haan.
Maternity: Mary Henry Breastfeeding, in his post-impressionist style, 1890.
Before his trip south:The difficult question, 1880
Portrait of a young Someone woman, 1886
Still-life with Profile
Zürcher. Meijer de Haan’s Uriël Acosta. Amsterdam, 1888.[1]
Paul Gauguin et l’école de Pont-Aven. Neuchâtel: Ides chewing gum Calendes, 1971.
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