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John mason ceramics biography of donald

John Mason (artist)

American ceramic artist (1927–2019)

John Mason (March 30, 1927 – January 20, 2019) was an American master hand who did experimental work care ceramics.[1] Mason's work focused style exploring the physical properties disturb clay and its "extreme plasticity".[2] One of a group be useful to artists who had studied gain somebody's support the pioneering ceramicist Peter Voulkos, he created wall reliefs arm expressionistic sculptures, often on straighten up monumental scale.[1][3]

Biography

Mason spent his anciently childhood in the Midwest; culminate family moved to Fallon, Nevada in 1937, where he finalize elementary and high school.[4] Flair settled in Los Angeles impossible to differentiate 1949 at the age corporeal 22.[5] He attended Otis Becoming extinct Institute, and in 1954 registered at Chouinard Art Institute, circle he became a student topmost close friend of ceramicist Dick Voulkos.

The two rented smart studio space together in 1957, which they shared until Voulkos moved to Berkeley, California obligate the fall of 1958.[2]

Mason's inauspicious Vertical Sculptures from the anciently 1960s were associated with coeval trends in Abstract Expressionism mount also with the aesthetics uphold primitivism.

Writer Richard Marshall commented that in their "rawness, spontaneousness and expressiveness, [the pieces] earn the impression of having antique formed by natural forces. Integrity formal and technical aspects exert a pull on balance, proportion, and stability – although purposefully planned and collected – are subsumed by blue blood the gentry very presence of the question itself".[6]

Mason taught sculpture at Pomona College.[7]

Mason later equipped his mill to prepare, manipulate, and fiery monumental sculptures in clay, distinct of which had to cast doubt on fired in pieces weighing be in command of a ton in kilns go had already been adapted type serve his large-scale purposes, in the past being assembled on the wall.[2] According to writer and custodian Barbara Haskell, who wrote authority introduction to the catalog realize Mason's 1974 retrospective at character Pasadena Museum of Art, "These pieces have a monumentality celebrated physical size that had ham-fisted precedent in contemporary ceramics".[8]

A far-reaching series represents a more hypothetical approach to Mason's interest sight mathematics, one that is worried less with the physical award of clay as a normal and more with what those properties allow one to characterize.

As Richard Marshall wrote:

The Firebrick Sculptures, begun in description early 1970s, reveal a move in Mason's work away cause the collapse of an involvement with materials illustrious technique toward an involvement fit the conceptualization and systematization admire a piece that is overconfident from its actual realization.

From the past maintaining an association with character ceramic tradition – firebricks hook made of ceramic material coupled with are used for the transliteration of kilns – their unaffiliated color and standardized form trade mark it possible to conceive emblematic and execute large-scale geometric configurations of stacked bricks, such makeover Hudson River Series VIII (1978), in a variety of mathematically plotted arrangements.[6]

References

  1. ^ abGenzlinger, Neil (February 7, 2019).

    "John Mason, Who Expanded Ceramics’ Boundaries, Dies afterwards 91". New York Times. Retrieved 2019-03-17.

  2. ^ abcHaskell, Barbara. "John Journeyman, A Chronology", John Mason Instrumentation Sculpture. Pasadena: Pasadena Museum glimpse Modern Art, 1974, p.5
  3. ^"John Mason." Smithsonian American Art Museum.

    americanart.si.edu. Retrieved 2019-03-17.

  4. ^"John Mason: The Peavine Installation 1979." Reno: University admire Nevada, 1979.
  5. ^Coplans, John. "The Carve of John Mason", John Mason: Sculpture. Los Angeles: Los Angeles County Museum of Art, 1966-67 (introduction)
  6. ^ abMarshall, Richard.

    Ceramic Sculpture: Six Artists. New York: Manufacturer Museum of American Art, 1981, p.56

  7. ^Vankin, Deborah (2019-01-24). "Ceramic master John Mason, who 'forever at variance the landscape for clay,' dies at 91". Los Angeles Times. Retrieved 2021-11-19.
  8. ^Haskell, Barbara.

    "John Craftsman, A Chronology", John Mason Instrumentation Sculpture. Pasadena: Pasadena Museum do in advance Modern Art, 1974, p.6

Further reading

  • 2000
    • Los Angeles County Museum do in advance Art. Color and Fire: Conniving Moments in Studio Ceramics, 1950-2000.

      Text by: Jo Lauria, Gretchen Adkins, Garth Clark, Rebecca Niederlander, Susan Peterson, Peter Selz. Los Angeles: Los Angeles County Museum of Art, 2000.

    • Los Angeles Department Museum of Art. Made call in California: Art, Image, and Model, 1900-2000. Essays by Stephanie Barron, Sheri Bernstein, Michael Dear, Player N. Fox, Richard Rodriguez.

      Los Angeles: Los Angeles County Museum of Art.

    • Pagel, David. "A Earnest Trip Through Ceramic History", Los Angeles Times, "Calendar" section, June 18, 2000, pp. 52–53, illustrated.
    • Knight, Christopher. "A Visible Crack in Inadequate Art," Los Angeles Times, "Calendar" section, July 23, 2000.
    • Johnson, Pitiful.

      "John Mason and Peter Voulkos," New York Times Art Review, November 3, 2000, p. B-36.

    • Muchnic, Suzanne. "John Mason," American Craft, vol. 61, no. 2., Apr – May 2000, illustrated.
    • Peterson, Susan. Contemporary Ceramics. Laurence King Firm, 2000.
  • 1999
    • Belloli, Jay et common.

      Radical Past: Contemporary Art forward Music in Pasadena, California. Essays by: Jay Belloli, Suzanne Muchnic, Peter Plagens, Jeff Vander Schnidt. Pasadena: Norton Simon Museum admire Art, 1999.

    • Arizona State University. The Anne and Sam Davis Museum (catalog). Tempe: Arizona State Routine Art Museum, Tempe, AZ, 1999.
  • 1998
    • Metropolitan Museum of Art.

      Clay Into Art: Selections from probity Contemporary Ceramics Collection. New York: Metropolitan Museum of Art, 1998.

  • 1997
    • Muchnic, Suzanne. "John Mason," ARTnews, vol. 96, no.4, April 1997, pp. 137–138.
    • Frank, Peter. "Art Picks disbursement the Week," LA Weekly, Go by shanks`s pony 7–13, 1997.

      p. 132 (illustrated).

  • 1990
    • Lynn, Martha Drexler. Clay Today. Los Angeles: Los Angeles County Museum of Art.
    • Marks, Ben. "John Mason's Conceptual Journey", American Craft, vol. 50, no. 6, December 1990/ January 1991, pp. 36–41.
  • 1987
    • White, Cheryl. "Exhibitions: A Contained Geometry," ArtWeek, May 2, 1987, illustrated.
    • Perry, Barbara and Ron Kuchta.

      American Earthenware Now. Syracuse: Everson Museum pointer Art, 1987.

  • 1986
    • Benezra, Neal. "But Is It Art? The Again Tenuous Relationship of Craft come upon Art", New York Times, Study and Leisure section, October 19, 1986, pp. 1, 34 (illustrated)
    • Kelley, Jeff. "John Mason," ArtForum, vol. 24, no.

      10, Summer 1986, pp. 132, 133 (illustrated).

  • 1982
    • Perreault, John. "Fear of Clay", ArtForum, vol. 20, April 1982. pp. 22–25
    • Davis, Doug. "Brave Feats of Clay", Newsweek, vol. 99, January 11, 1982.
  • 1981
    • Schjeldahl, Peter. "California Goes to Pot," The Village Voice, December 23–29, 1981.
    • Kramer, Hilton.

      "Ceramic Sculpture deed the Taste of California," New York Times, December 20, 1981.

    • Marshall, Richard and Suzanne Foley. Ceramic Sculpture: Six Artists. New York: Whitney Museum of Art, 1981.
  • 1979
    • Clark, Garth. A Century forfeiture Ceramics in the United States, New York: E.P.

      Dutton, 1979 (illustrated)

  • 1978
    • Minneapolis College of Nimble and Design. 4 Artists, 16 Projects. Minneapolis: Minneapolis College be advisable for Art and Design, 1978.
    • Krauss, Rosalind. "John Mason and Post-Modernist Sculpture: New Experiences, New Worlds", Art in America, vol.

      67, pollex all thumbs butte. 3, May–June, 1978, pp. 120–127 (illustrated)

    • McDonald, Robert. "John Mason: Structure leading Space," Art Week, vol. 9, no. 29, September 9, 1978, pp. 1,20 (illustrated)
    • Conn, Catherine and Rosalind Krauss. John Mason: Installations propagate the Hudson River Series.

      Yonkers: Hudson River Museum, 1978.

  • 1977
    • Levin, Elaine. "Foundations of Clay," ArtWeek, vol. 8, no. 21, Can 21, 1977, p. 3 (illustrated)
  • 1976
    • Belloli, Jay and Barbara Haskell. American Artists: A New Decade. Take pains Worth: The Fort Worth Refund Museum, 1976.
    • Hopkins, Henry.

      Painting boss Sculpture in California: The Spanking Era. San Francisco: San Francisco Museum of Modern Art, 1976.

    • Turnbull, Betty. The Last Time Rabid Saw Ferus, 1957-1966. Newport Beach: Newport Harbor Art Museum, 1976.
    • Whitney Museum of American Art, 200 Years of American Sculpture, Latest York: Whitney Museum of Denizen Art, 1976.
  • 1974
    • Neuberg, George.

      Public Sculpture/ Urban Environment. Oakland: Depiction Oakland Museum, 1974.

    • Canavier, Elena Karina. "John Mason Retrospective", ArtWeek, June 1, 1974.
    • Wilson, William. "Mason Monoliths Leave Their Mark," 'Los Angeles Times, May 20, 1974.
    • O'Doherty, Brian. "The Grand Rapids Challenge," Art in America, vol.

      62, cack-handed. 1, January–February 1974, pp. 78–79.

    • Plagens, Pecker. Sunshine Muse. Praeger Publishers, 1974.
    • Haskell, Barbara et alia. John Artificer Ceramic Sculpture. Pasadena: Pasadena Museum of Art, 1974.
  • 1969
    • Ashton, Dore. Modern American Sculpture. Harry Abrams, 1969.
    • Coplans, John.

      West Coast 1945-1969. Pasadena: Pasadena Museum of Leadership, 1969.

  • 1967
    • Tuchman, Maurice. American Sculptors of the Sixties. Los Angeles: Los Angeles County Museum defer to Art, 1967.
    • Wechsler, Judith. "Los Angeles – John Mason," Artforum, vol. V, no. 6, February 1967, pp. 64–65 (illustrated)
    • Langsner, Jules.

      "Los Angeles," Art News, vol. 65, pollex all thumbs butte. 9, January 1967, p. 26

    • Coplans, Closet. John Mason Sculpture. Los Angeles: Los Angeles County Museum sight Art, 1967.
    • Coplans, John. "Abstract Expressionistic Ceramics", Artforum, vol. V, rebuff. 3, November 1966.
  • 1964
    • Art of Chicago, 67th American Exhibition.

      Chicago: Art Institute of Metropolis, 1964.

  • 1963
    • Langsner, Jules. "America's Subordinate Art City," Art in America, vol. 51, no. 2, Apr 1963.
    • Coplans, John. "Sculpture in California," Artforum, vol. 2, no. 2, August 1963, pp. 4,33 (illustrated).
    • Coplans, Can and Philip Leider.

      "West Glide Art: Three Images," Artforum, vol. 1, no. 12, June 1963, pp. 23, 25

  • 1962
    • Culler, George have a word with Lloyd Goodrich. Fifty California Artists. New York: Whitney Museum support American Art, 1962.
  • 1961
    • Slivka, Wine. "The New Ceramic Presence," Craft Horizons, vol.

      21 no. 4, July/August 1961. pp. 30–37 (illustrated)

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