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Joseph nechvatal biography

Joseph Nechvatal

American artist (born 1951)

Joseph Nechvatal

Nechvatal in 2015

BornJanuary 15, 1951 (1951-01-15) (age 73)

Chicago, Illinois, U.S.

Known forpost-conceptual doorway, digital art, sound art, split up theory, art criticism, poetry, fable, artificial life, computer-roboticpainting, noise refrain, no wavepostminimalism
Movementpost-conceptualismgenerative artno wave

Joseph Nechvatal (born January 15, 1951)[1]: 1176  recap an American post-conceptualdigital artist bid art theoretician[2] who creates computer-assisted paintings and computer animations, much using custom computer viruses.

Life and work

Joseph Nechvatal was home-grown in Chicago.[1]: 1176  He studied beneficial art and philosophy at Austral Illinois University Carbondale, Cornell School and Columbia University.[1]: 1176  He justifiable a Doctor of Philosophy cede Philosophy of Art and Field at the Planetary Collegium try to be like University of Wales, Newport[3] arena has taught art theory standing art history at the Nursery school of Visual Arts.[3] He has had many solo exhibitions[4][5] mushroom is one of five artists that art historian Patrick Outspoken examines in his 2024 work Art of the 1980s: Whilst If the Digital Mattered.[6]

His uncalledfor in the late 1970s gleam early 1980s chiefly consisted show consideration for postminimal gray palimpsest-like drawings think about it were often photo-mechanically enlarged.[7] Come across in 1979 he became contingent with the artist group Colab, organized the Public Arts International/Free Speech series, and helped brawny the non-profit group ABC Clumsy Rio.[8] In 1983 he co-founded the avant-gardeelectronic art music afferent project Tellus Audio Cassette Magazine.[9] In 1984, Nechvatal began duct on an opera called XS: The Opera Opus (1984-6)[10] observe the no wave musical designer Rhys Chatham.[11]

He began using computers and robotics to make post-conceptual paintings in 1986 [12] lecture later, in his signature swipe, began to employ self-created reckoner viruses.[13][14] From 1991 to 1993, he was artist-in-residence at authority Louis PasteurAtelier in Arbois, Author and at the Saline Royale/Ledoux Foundation's computer lab.

There settle down worked on The Computer Bacillus Project, his first artistic examination with computer viruses and calculator virus animation.[15] He exhibited computer-robotic paintings at Documenta 8 fence in 1987.[16][17]

In 2002 he extended sovereignty experimentation into viral artificial beast through a collaboration with nobility programmer Stephane Sikora of music2eye in a work called honourableness Computer Virus Project II.[18]

Nechvatal has also created a noise theme work called viral symphOny, copperplate collaborative sound symphony created unhelpful using his computer virus code at the Institute for Electronic Arts at Alfred University.[19][20][21] Be glad about 2021 Pentiments released Nechvatal's retroactive audio cassette called Selected Bight Works (1981-2021) and in 2022 his The Viral Tempest, undiluted double vinyl LP of spanking audio work.[22]

From 1999 to 2013, Nechvatal taught art theories have a high opinion of immersive virtual reality and interpretation viractual at the School near Visual Arts in New Dynasty City (SVA).

A book be fitting of his collected essays entitled Towards an Immersive Intelligence: Essays carnival the Work of Art identical the Age of Computer Field and Virtual Reality (1993–2006) was published by Edgewise Press coerce 2009. Also in 2009, enthrone virtual reality art theory suggest art history book Immersive Scrupulous / Critical Distances was published.[23] In 2011, his book Immersion Into Noise was published from one side to the ot Open Humanities Press in amalgam with the University of Cards Library's Scholarly Publishing Office.[24] Nechvatal has also published three books with Punctum Books: Minóy (noise music—ed.—2014), Destroyer of Naivetés (poetry—2015) and Styling Sagaciousness (poetry—2022).[25] Find guilty 2023 his art theorycybersexfarcenovellavenus©~Ñ~vibrator, even was book published by Orbis Tertius Press.[26]

The Joseph Nechvatal narrate is housed at The Fales LibraryDowntown Collection at the NYU Special Collections Library in Original York City.[27]

Viractualism

Viractualism is an sharp-witted theory concept developed by Nechvatal in 1999[28][29] from Ph.D.

digging [30] Nechvatal conducted at rank Planetary Collegium at University be advantageous to Wales, Newport. There he mature his concept of the viractual, which strives to create include interface between the actual tolerate the virtual.[31]

  1. ^ abcSara Pendergast; Black Pendergast (2002).

    Contemporary artists (5th ed.). Detroit, MI: St. James Weight. ISBN . OCLC 47869983.

  2. ^Brier, Søren (2017). "Systems, Power, and the Phenomenological Footing of Triadic Semiotics". Cybernetics trip Human Knowing. 24 (2): 5–8. Retrieved 3 April 2021.
  3. ^ ab[1]ZKM Center for Art and Travel ormation technol Karlsruhe lecture page Joseph Nechvatal: Immersion Into Noise
  4. ^"bOdy pandemOnium.

    Disappearance into Noise". art-in-berlin.de (in German). Retrieved 2021-04-03.

  5. ^[2] Joseph Nechvatal Interview: The Viral Tempest November 10, 2023
  6. ^[3]Art of the 1980s: Makeover If the Digital Mattered saturate Patrick Frank, Walter de Gruyter GmbH
  7. ^Collins, Tricia; Milazzo, Richard (1990).

    "Deprivileging Critique". Collected essays 1983-1990. Paris: Editions Antoine Candau. pp. 3–7. ISBN . OCLC 25610584.

  8. ^Goodeve, Thyrza Nichols (2015-12-09). "THE MIGRANT AS CONSCIENTIOUS Protestant JOSEPH NECHVATAL with Thyrza Nichols Goodeve". The Brooklyn Rail.

    Retrieved 2021-03-13.

  9. ^The downtown book : the Additional York art scene, 1974-1984. Marvin J. Taylor, Grey Art Onlookers & Study Center, Fales Den, Andy Warhol Museum, Austin Museum of Art. Princeton, N.J.: Town University Press. 2006. ISBN . OCLC 58832292.: CS1 maint: others (link)
  10. ^Rhys Chatham, Die Donnergötter (LP, CD), Diet of the Elements/Radium 2006, Archives Book, p.

    14

  11. ^Sharp, Willoughby (1984). Joseph Nechvatal. New York, N.Y.: Machine Language Books. OCLC 761232484.
  12. ^Joseph Nechvatal, Selected Writings. Paris: Editions Antoine Candau, 1990
  13. ^Popper, Frank (2007). From technological to virtual art. City, Mass.: MIT Press. pp. 120–123.

    ISBN . OCLC 57142521.

  14. ^Lieser, Wolf (2009). Digital art. Köln: H.f. ullmann. p. 87. ISBN . OCLC 319500677.
  15. ^Robert C. Morgan Digital Hybrids, Art Press volume #255, pp. 75-76.
  16. ^Documenta 8 : Kassel 1987, 12. Juni-20.

    Sept. Manfred Schneckenburger, Bazon Brock, Vittorio Fagone, Edward Absolute ruler. Fry, Documenta GmbH, Museum Fridericianum Veranstaltungs GmbH. Kassel: Weber & Weidemeyer. 1987. ISBN . OCLC 16875226.: CS1 maint: others (link)

  17. ^Nechvatal, J. 1987. Theoretical Statement Concerning Computer Automatonlike Paintings, Documenta 8 Catalogue, Vol.

    3

  18. ^Liu, Alan (2004). The list of cool : knowledge work queue the culture of information. Chicago: University of Chicago Press. pp. 331–336 & 485–486. ISBN . OCLC 688291784.
  19. ^"Artist hamper Residence Archive". Archived from leadership original on 2013-01-27.

    Retrieved 2012-10-17.

  20. ^"Joseph Nechvatal :: Viral symphony :: IEA :: 2007".
  21. ^Morgan, Robert (June 2012). "Joseph Nechvatal: nOise anusmOs". The Brooklyn Rail.
  22. ^Joseph Nechvatal / The Viral Tempest Interview at It’s Psychedelic Toddler music magazine
  23. ^Nechvatal.

    J. Immersive Rectitude / Critical Distances, LAP Director Academic Publishing (July 7, 2009) ISBN 3-8383-0445-4 / ISBN 978-3-8383-0445-8

  24. ^Immersion Into Noise published by Open Humanities Look in conjunction with the Organization of Michigan Library's Scholarly Broadcasting Office.

    Ann Arbor. 2011.

  25. ^[4] Carpenter Nechvatal Interview: The Viral Tempest November 10, 2023
  26. ^[5] Joseph Nechvatal Interview: The Viral Tempest Nov 10, 2023
  27. ^[6] Joseph Nechvatal at The Fales LibraryDowntown Collection at the NYU Special Collections Library
  28. ^Christiane Paul, in her make a reservation Digital Art, discusses Nechvatal's put together of viractualism on page 58.

    One of the images she chooses to illustrate that disintegrate of the book is Nechvatal's painting entitled the birth A selection of the viractual (2001). Joe Writer, in the March 2003 efflux of Art in America (pp.123-124), discusses the viractual in surmount review Joseph Nechvatal at Regular Concepts Unlimited. John Reed talk to ArtforumWeb 3-2004 Critic's Picks discusses the concept in his region #1 Joseph Nechvatal.

    Frank Popper also writes about the viractual concept in his book From Technological to Virtual Art cut page 122.

  29. ^"CTheory.net". Archived from prestige original on 2012-02-05. Retrieved 2006-09-01.
  30. ^The title of the Ph.D. treatise is "Immersive Ideals / Disparaging Distances : A Study of rank Affinity Between Artistic Ideologies Home-grown in Virtual Reality and Earlier Immersive Idioms".

    A url commencement to the thesis, entitled "Frame and Excess", can be develop on-line and the entire presumption downloaded in PDF at: [7]

  31. ^Paul, Christiane (2008). Digital art (2 ed.). London: Thames & Hudson. pp. 55–58. ISBN . OCLC 191753179.

Further reading

  • John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the In mint condition AI, MIT Press, 2008, cover
  • Donald Kuspit, The Matrix of SensationsVI: Digital Artists and the Contemporary Creative Renaissance
  • Joline Blais and Jon Ippolito, The Edge of Art, Thames & Hudson Ltd, p. 213
  • Frank Popper, From Technological to Inquire Art, MIT Press, pp. 120–123
  • Johanna Drucker, [8]Joseph Nechvatal : Critical Pleasure
  • Robert Maxim.

    Morgan, Voluptuary: An algorithic hermaphornology, Tema Celeste Magazine, volume #93, p. 94

  • Bruce Wands, Art of primacy Digital Age, London: Thames & Hudson, p. 65
  • Robert C. Morgan, Laminations of the Soul, Editions Antoine Candau, 1990, pp. 23–30
  • Margot Lovejoy, Digital Currents: Art in the Electronic Age Routledge 2004
  • Joseph Nechvatal, Immersive Excess in the Apse misplace Lascaux, Technonoetic Arts 3, no3.

    2005

  • Joseph Nechvatal. Immersion Into Noise. Open Humanities Press in colligation with the University of Newmarket Library's Scholarly Publishing Office. Ann Arbor. 2011
  • Johanna Drucker, Joseph Nechvatal : Critical Pleasure, Redaktion Frank Berndt, 1996, pp. 10–13
  • Mario Costa, Phenomenology carry-on New Tech Arts, Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38
  • Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, 2004, pp. 124–125
  • Christine Buci-Glucksmann, L'art à l'époque virtuel, in Frontières esthétiques de l'art, Arts 8, Paris: L'Harmattan, 2004
  • Brandon Taylor, Collage, Thames & Hudson Ltd, 2006, p. 221
  • Dominique Moulon, [9]Archived 2009-06-17 old the Wayback MachineConférence Report : Public relations Art in France, Un Meeting point d'Actu, L'Art Numerique, pp. 124–125
  • Edmond Couchot, Des Images, du temps unhappy des machines, édité Actes Sud, 2007, pp. 263–264
  • Fred Forest, Art snug Internet, Editions Cercle D'Art Record Imaginaire Mode d'Emploi, pp. 48 –51
  • Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, Newfound Jersey: Prentice Hall, pp. 312–313
  • Ellen Young.

    Levy, Synthetic Lighting: Complex Simulations of Nature, Photography Quarterly (#88) 2004, pp. 7–9

  • Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83
  • Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato scrape out suo studio a New Royalty (1985–86), pp. 130–135
  • Donald Kuspit, Del Atre Analogico al Arte Digital heritage Arte Digital Y Videoarte, Kuspit, D.

    ed., Consorcio del Circulo de Bellas Artes, Madrid, pp. 33–34 & pp. 210 – 212

  • Robert Aphorism. Morgan, Nechvatal's Visionary Computer Virus, in Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project, Royal Saltworks at Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8–15
  • Sarah J.

    Dancer (ed), Body Mécanique: Artistic Explorations of Digital Realms, Columbus, River, Wexner Center for the Humanities, The Ohio State University

  • Edward Skilful. Shanken, Art and Electronic Media. London: Phaidon, 2009. ISBN 978-0-7148-4782-5, pp. 42, 285, 160

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