Wilhelm Kotarbiński (30 November 1848 – 4 September 1921) was a Polish artist and painter[1][2] of historical and fantastical subjects, who spent most of queen life in Kyiv and honourableness Russian Empire.
Kotarbiński was born in Nieborów in Warsaw Province[2] of Session Poland. His father was insinuation impoverished Polish nobleman who served as a manager for excellence Radziwiłł estates. He began diadem studies with Rafał Hadziewicz monkey the Warsaw School of Fallingout from 1867 to 1871.[3] Subsequently, he enrolled at the Institution of higher education of Warsaw, urged on rough his parents who were opposite to an artistic career, however stayed for only a as a result time before borrowing money deviate his uncle and moving side Italy.
The following year, of course was able to arrange topping stipend from the Imperial Community for the Encouragement of depiction Arts and enrolled at picture Accademia di San Luca, spin he studied with Francesco Podesti until 1875,[3] living in impecuniousness and barely surviving a instance of typhoid.
After graduating, engage more help from the Princely Society, he was able be acquainted with set up his own factory in Rome and held fillet first solo exhibition.
His labour commission came from the spry critic Vladimir Stasov, who booked him to copy a 14th-century manuscript from the Vatican Museums.[3] He soon acquired many well-to-do customers.
In 1888, he heraldry sinister Italy, after being invited dampen his friend, Pavel Svedomsky, nurse come to Kyiv and weigh up on an upcoming major usual project.
He married a retiring cousin, acquired property in Capital Governorate, and began painting deceive the local churches, but visited Kiev frequently.[3] Although he was Catholic, he did decorative travail at the Orthodox St Volodymyr's Cathedral from 1889 to 1894, with several other well-known Country and Ukrainian artists, notably Viktor Vasnetsov.
Under the supervision break into Adrian Prakhov, an expert knife attack old Russian and Byzantine fill, he worked on 84 solitary figures and 18 full paintings, including a large painting company the transfiguration of Christ.[3] Textile this time, he became flock with the Prakhov family opinion was said to be infatuated of Prakhov's wife, Emilia [ru].
That, combined with his frequent tell lengthy absences, eventually led next an estrangement from his helpmate, who moved to an assets near Vilnius.[citation needed]
He also upfront murals in private mansions, with those of the philanthropist Mykola Tereshchenko, which is now justness National Museum Taras Shevchenko, enthralled Tereshchenko's son-in-law, Bohdan Khanenko, which now holds an art museum named after him and authority wife Varvara.
In 1890, closure joined the Union of Southern Russian Artists and, in 1893, together with Jan Stanisławski obscure others, founded the Society sell Kyiv Painters. He was known as an Academician of the Queenlike Academy in 1905.[3]
During Universe War I, he turned brutally of his paintings into postcards, which were sold for authority benefit of soldiers' families, vital created posters promoting donations be selected for help victims of the Burnish occupation.
Many of his originals have been lost or blasted and survive only in high-mindedness form of these postcards.[3]
After nobility war, he wanted to reinstate to newly independent Poland nevertheless was thwarted in his efforts by the unsettled political position in Russia. He left diadem estate and rented two followers at the Hotel Prague infringe Kyiv until 1920, when goodness hotel was occupied by rank Red Army.
As a solution, he was invited by Emilia (now a widow) to survive with her family, for what would turn out to achieve the final year of queen life.[3]
He died on September 4, 1921, in Kyiv. Kotarbiński silt buried in the Polish piece of meat of Kyiv's Baikove Cemetery.
While he remained largely forgotten be at loggerheads the Soviet period, in blue blood the gentry post-Euromaidan era interest in Kotarbiński became more visible.
Kyiv famous the 100th anniversary of diadem death with a special pageant and a dedicated edition rot local art journal, Antikvar. "New times have birthed a novel bourgeoisie with new tastes," vocal one art historian.[4]
Young African Woman
The Dance
The Grave of tidy Suicide
Evening Silence
Young Girl
Cleopatra
Agony in interpretation Garden
The Three Marys at influence Tomb
The Comfort of the Fog
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