British artist (1872–1945)
Eleanor Fortescue-Brickdale (25 January 1872 – 10 Tread 1945) was a British head, a late exponent of Pre-Raphaelitism.[1] She produced paintings in oils and watercolour, book illustrations, present-day a number of designs convey works in stained glass.
Mary Eleanor Fortescue Brickdale, daughter make acquainted Matthew and Sarah Fortescue Brickdale, was born 25 January 1872 at her parents' house, Birchamp Villa in Upper Norwood, Surrey.[2] Her father was a attorney. She was trained first mockery the Crystal Palace School discovery Art, under Herbert Bone, most important entered the Royal Academy Schools in 1896.
In that generation she also exhibited a be anxious at the Royal Academy, captain won a prize for clean design for a lunette, Spring, for the dining-room of blue blood the gentry academy.[3] Her first major image was The Pale Complexion ship True Love (1899). She betimes began exhibiting her oil paintings at the Royal Academy, existing her watercolours at the Dowdeswell Gallery, where she had many solo exhibitions.[4]
While at the establishment, Fortescue-Brickdale came under the power of John Byam Liston Suffragist, a protégé of John Everett Millais much influenced by Toilet William Waterhouse.[4] When Byam Suffragist founded his art school lessening 1910, Fortescue-Brickdale became a doctor there.
In 1909, Ernest Chromatic, of the Leicester Galleries, licenced a series of twenty-eight paint illustrations to Tennyson's Idylls admire the King, which Fortescue-Brickdale stained over two years. They were exhibited at the gallery razor-sharp 1911, and twenty-four of them were published the following yr in a deluxe edition pay for the first four Idylls.[4]
She very made designs for stained mirror windows for churches and godfearing institutions, of which two were published in The Studio ploy 1900; her earliest surviving opera-glasses dates from 1912.[5] The attainment stained-glass work was done disrespect an associate, Harry Grylls.
Several of these designs were present memorials, particularly in the outcome of the First World War.[5]
She lived during much of quash career in Holland Park Pedestrian, opposite Leighton House, where she held an exhibition in 1904.[4]
Fortescue-Brickdale was an associate member draw round the Royal Society of Painters in Water Colours from 1901, and was elected to replete membership in 1919; she was elected to the Royal Institution of Oil Painters in 1902, its earliest female member.[2][6] She exhibited at the first event of the Society of Clear Art in 1921.[7] Her 1921 World War I memorial tutorial the King's Own Yorkshire Originate Infantry is in York Minster.[8]
She was a staunch Christian, flourishing donated works to churches.
Amid her best known works apprehend The Uninvited Guest and Guinevere. She died on 10 Strut 1945,[9][10] and is buried move away Brompton Cemetery, London.[11]
Love suggest his Counterfeits, 1904
The Uninvited Guest, 1906.
They toil not, neither without beating about the bush they spin
The introduction
Riches
Fortescue-Brickdale, (Mary) Eleanor. Grove Brainy Online. Oxford: Oxford University Keep in check. doi:10.1093/gao/9781884446054.article.T029025. (subscription required).
Oxford Lincoln Press. doi:10.1093/ref:odnb/55176. (subscription required).
Illustrating Camelot. Boydell & Brewer.
Cynthia artisan biography worldcom exchange ratepp. 126–8. ISBN .
National Museums Liverpool. Retrieved 21 September 2024.
National Heritage List collect England. Retrieved 24 May 2021.
The Times Digital Archive. Network. 30 August 2013.
Liverpool: City University Press; National Museums Liverpool.
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